

Sporatic musings and observations of another media saturated casualty. A truely Blogtastic compendium of rants and ruminations, random observations.
The Secretary is authorized to take such actions as the Secretary deems necessary to carry out the authorities in this Act.
Within three months of the first exercise of the authority granted in section 2(a), and semiannually thereafter, the Secretary shall report to the Committees on the Budget, Financial Services, and Ways and Means of the House of Representatives and the Committees on the Budget, Finance, Banking, Housing, and Urban Affairs of the Senate with respect to the authorities exercised under this Act.
Decisions by the Secretary pursuant to the authority of this Act are non-reviewable and committed to agency discretion, and may not be reviewed by any court of law or any administrative agency.
Have spent the day thus far reading bad news and spite-filled, hateful blogs and comments. I offer no solutions, wisdom or much hope. Just another passenger on this ride looking for a silver lining.

An ever-adaptable, jazz-rooted drummer esteemed by Shelly Manne and Charlie Watts, Palmer made a distinctive contribution to innumerable records, among them Nat Cole's Ramblin' Rose, Little Richard's Tutti Frutti, Elvis Costello's King of America, the Righteous Brothers' You've Lost That Lovin' Feelin' and Ike and Tina Turner's River Deep, Mountain High.
Other artists who used him were the Beach Boys, Neil Young, Frank Sinatra, Sarah Vaughan, Tom Waits, Randy Newman, and Barbra Streisand.
In 1957 Palmer went to Los Angeles, where he reworked Fats Domino numbers with Ricky Nelson as part of an elite array of session musicians which included Leon Russell, Barney Kessel and Glen Campbell, who became best known playing on all of Phil Spector's hits as the "wrecking crew".